Isaiah 42

Written primarily for the an anthology of Scandinavian music, this piece evolves calmly but with a strong momentum in a large dramatic arc across its three-part structure. With clear part-writing and

This piece has a dance-like feel and lilt to it, both in the lyric writing and the switching between a duple and triple feel in the 6/8 meter.

Setting a text from the Book of Isaiah, this eight-minute work is a reflective composition featuring alto and baritone solos, with sections of counterpoint that build the intensity and journey of one of

This piece takes William Byrd's famous motet and reimagines it for three unaccompanied choirs. Using plainsong against canon and dense layering that gives it an ancient texture, this challenging selection

Bird Year was commissioned by Phoenix Singers of Shrewsbury, and first performed by the group in 2006. The text consists of four poems written by the composer, and suggests the continuity of life by

For bass clarinet solo. Printed from manuscript. Commissioned by Les Amplitudes Festival in La Chaux-de-Fonds,

Erkki-Sven Tuur's Canticum Canticorum Caritatis ('Song of Songs') is a setting in Latin for choir SATB (with divisi) of the famous passage from St Paul's letter to the Corinthians, chapter 13

One of a series, all premiered and recorded by the vocal ensemble VOCES8, this a cappella work is challenging, with independent parts, and a rich and diverse harmonic vocabulary.

This classic Irving Berlin tune gets the VOCES8 treatment in this effortless swing arrangement. Colorful harmonies with a hint of soul will challenge and delight your ensembles.

Each volume of the these choral anthologies presents a collection of Esenvalds' most popular choral offerings in a convenient edition. Volumes 1, 2, 4, 5 and 6 are for mixed choirs divisi, and Volume 3 is

This ancient carol of lament is beautifully arranged with unison lines and subtle harmonies that perfectly complement the spirit of the piece. Arranged for the VOCES8 Scholars and APOLLO5, it remains

Commissioned by Jennifer Weller and Caroline Harrison QC for The Choir of Jesus College Cambridge, this setting of a text by George Grantham swells from hushed SATB verses to an ecstatic five-part chorus of